Showing posts with label planning. Show all posts
Showing posts with label planning. Show all posts

Saturday, November 14, 2009

Living Buildings 2.0

Early last week, on the heels of the Sustainable Sites Initiative updated system launch, the International Living Building Institute offered the updated version of the Living Building Challenge, v2.0 - which offers a comprehensive building rating system for not just green, but regenerative buildings.


:: image via ilbi

The new system offers a much more robust system that incorporates local food production, expands the notion of sites and access to nature, limits gated communities and incorporates a number of other equity issues. The other major difference is that the results of certification are based on the end result, not the planned result as is standard in many projects. This is part of the reason there is not an officially designated Living Building to date - but many are in various stages of development around the world - on the race to be the first. I'm excited to take a look and see these new changes.

While I'm happy to see the expanded scope, I'm a bit disappointed that they didn't continue to move forward with the separate Living Sites and Infrastructure Challenge - but instead incorporated these ideas into v2.0 of the LBC. Combining sites and buildings makes a lot of sense and the LBCv2.0 integrates the two in a much needed way that is lacking in the majority of system approaches. As a way of measuring landscape projects, it's often hard to remove the building from site scale projects (thus they are not even ratable) - making the Sustainable Sites Initiative (SSI) the only viable game in town as a purely site-specific system.

There's plenty of rating systems out there, so time will tell the overall relevance and reach - but they tend to fall into two categories. Those in the first category attempt to respond the complexity and cost of LEED by offering a more accessible, yet watered down rating that has less impact, and thus less relevance. LEED remains the industry standard, but for those who want to push the boundaries of green beyond mere sustainability, there is luckily these alternatives out there. As LEED inches forward at a conservative snails pace by incrementally incorporated somewhat minor updates and additions to new versions, I foresee SSI and the Living Building Challenge filling some of the vacuum.

They may not gain the same market share as LEED - but will truly define what regenerative design will be for both buildings and sites - something that cannot happen now that LEED has become the defacto standard and is driven by market forces as much as a green agenda.

Tuesday, November 10, 2009

Size Does Matter, or Not

An interesting article in Planetizen called "Beloved and Abandoned: A Platting Named Portland" investigates one of the unique, frustrating and beloved quirks of Portland. This is, our slicework of 200 foot square blocks... making for a lot of roads, and development of tiny blocks. It's our burden to bear. The article is a fascinating ride - so check it out.


:: all images via Planetizen

The authors discuss the 'Hippodamian' grid, which is an interesting way of saying square, and relate it to current urban design theory and practice. "Current planning literature brims with references to "the grid" in juxtaposition with curvilinear and dendrite conventional suburban layouts. The "grid" as a network concept has been widely accepted and is now regarded as a superior geometry for laying out greenfield and infill sites."



There is also the reference to the success of Portland directly related to these small blocks, which I'd disagree with (as the authors soon do). I'd say Portland succeeds in spite of this phenomenon, and the issues pervade - as is shown with a reference to successful urban grids, mostly those of the non-square ilk. "Urbanists and romanticists have expressed equally strong sentiments about Paris, London, Barcelona, Curitiba, Amsterdam and Venice. Of the six, only Barcelona adopted the Hippodamian grid in 1859 for its vast expansion, and Venice, without a classic grid, is the preeminent pedestrian haven, yet neither city matches the urbanist’s praise for Portland. Whatever the mix of reasons, Portland dominates the American planners' imagination feelings and talk. Disentangling this intangible realm can be an elusive goal; grounds and figures on the other hand may produce tangible results."

A grid alone is not the recipe for success, and in practice there are few pure iterations of the grid, with zigs, zags, curvy spots, the axial geometry of Ladds addition, and many other quirks. As a fan of the grid for wayfinding and layout, there's something to be said for the rigorous adherance to the formality, which much theory has been laid out in curvy, suburban blah. Some support of the grid: "The degree of connectivity of the street network could count as another practical reason. 'Network', by definition, is a set of linked components, whether a spider-net, a fishnet, or the Internet - all networks connect. What distinguishes them is the manner, geometry and frequency of connection: leaf, tree, blood vessels, telephone and web networks are dendrite, hierarchical (fractal) but fishnets are not. Portland’s is a dense fishnet with nodes at every 200 feet, which produce 360 intersections per square mile -- the highest ratio in America, and 3 to 5 times higher than current developments. For example, older and newer areas in Toronto, typical of most cities, range from 72 to 119 intersections per square mile in suburbs and 163 to 190 in older areas with a grid. As connectivity rose in importance as a planning principle, Portland’s grid emerges as a supreme example.

Coupled with connectivity, its rectilinear geometry is indisputably more advantageous for navigation on foot, car or bike than any alternatives. Visitors often feel lost and disoriented in medieval towns and in contemporary suburbs and this feeling leads to anxiety and even fear and a sense that all is not well."



The grid is rightly stated as derived by speculators for maximum corner lots - not in the grand plan of some more model communities. The fact is, again, that the grid can improve or degrade the urban environment, as the authors mention, but success is not inherently depending on that as the only criteria. "Evidently, Portland’s founders either understood little about infrastructure costs or judged them irrelevant; a judgment that no planner, developer or municipality today would take at face value. When economic efficiency matters, Portland’s grid fails the grade."

In a theoretical sense only. There's comments from Sitte and Duany on the lack of art in the grid... but really is urban planning about art? Is curvy and artistic more successful in an urban context? I doubt it. Anyway, the fact that our grid, much like the national grid system, is overlaid on a extant topography in somewhat irresponsible ways have led to issues with erasure and negative impact on natural hydrologic patterns, which only bend when topography and streams are too steep or significant to pipe, grade, and cover over. Also, the sheer amount of street paving is significant, as our small blocks lead to significantly more stormwater impacts. This however, has been the genesis for innovative strategies such as green streets to combat this - sort of making a silk purse out of a bad grid.



While it may be easy to ignore progress in combating our bad grid, it's again a pointless thought exercise (these adaptions in the following paragraph are the lifeblood of modern urbanism, as we can't recreate what has already been created). Thus, it's interesting to think of ways of refuting the present by showing how the past is flawed:
"The ordinary impression on the ground that the Portland grid 'works' in contemporary traffic conditions is casually taken as a sign of suitability. This view obscures an entire century of engineered physical, mechanical and management adaptations which are overlaid on the 1866 platting. Remove these (in a thought experiment) and imagine the outcome. Clearly, an ill-suited geometry is made to work with interventions such as dividing lines, medians, traffic signs, traffic lights, directional signs, bollards, street widening, one-ways, traffic circles or roundabouts and many others."

I think that's called adapting to change, but then again, it's a thought experiment, so fun nonetheless. As the authors conclude:
"For reasons of land efficiency, infrastructure cost, municipal expenses, rainwater management, traffic safety and flow, and the demand for increased pedestrian share of public space, the praised, pure Portland platting will likely not find new followers. Portland will remain a adored and beloved by urbanists, but her Hippodamian grid layout seems destined for the archives, abandoned as a good idea of a byegone era. This transcendence leaves urbanists, who seek to regenerate a contemporary urban pattern that is as pure, complete and systematic, looking for alternatives: ones which excite the same first blush of adoration and delight and lead to a deep abiding love, but also hold up to intense scrutiny of their economic, social and environmental performance."

I agree with the main tenets of their thesis (and it's a great notion and read) and frankly think the grid is a pain in the ass, but it's one of those theoretical arguments that really doesn't mean much in terms of modern urbanism, particularly in a city that plans things to death and beyond. Few if any new cities are built from scratch with no existing contextual framework - so maybe in the few new communities, a particular utopian grid system can be applied - probably modeled after the latest New Urbanist theory. It'd be interesting to imagine a re-thinking of the 'Hippodamian' grid being retrofit, as is, into something else in Portland - elongated, filled in, abstracted into a more pure and reasonable pattern, with streets removed to be open spaces, bikeways, and other green infrastructural systems. But the question is moot, a thought experiment if you will, and like it or not we are stuck with our pattern.

We deal with it, we plan around it. We love its street/building staccato chatter back and forth, with our 360 intersections per square mile, and we curse the stop sign hovering on your bike every 200 feet, waiting for that car to come zipping by take you out. It makes life exciting. But, in general it doesn't mean much, and isn't as derogatory to a high quality public realm as implied. Portland isn't to be copied for urban form, and really shouldn't be degraded for a grid system that was done without regard. We're known for for innovation and foresight in policy, transportation, stormwater management, and other factors. Many of these come from the very problems that arise from our back-assward small grids. But it works, because sometimes a grid is just a grid.

Big Box Surplus Space

One of the major 'big ideas' of our Integrating Habitats competition, or the idea of reinventing suburbia in general, is the reduced parking need over time - and what to do with the leftover paved areas. An article in the Atlanta Journal-Constitution shows this idea isn't merely peak oil induced futurism, but a more current reality. From the article: "Ever think a Home Depot parking lot is too sprawling and vacant? Home Depot does, too. 'A number of stores have barren asphalt, and it’s not in anyone’s best interest to leave it sitting there,' said Mike LaFerle, Home Depot’s vice president of real estate."


:: image via ajc

It's not a surprise, when at least 1/3 of all the properties for big box stores are for parking and many stores downsizing or at least getting much less traffic, that valuable land starts looking desirable. Continuing: "But Home Depot has land, and lots of it. In its most recent annual report, the company said it owns 89 percent of its 2,274 stores chainwide (including stores in Canada, Mexico and Puerto Rico). That’s 212 million square feet of real estate — not including parking lots and garden sales areas. The value of Home Depot’s land assets totaled $8.3 billion, the report said, and building assets are $17 billion."

What might this mean in terms of area? "Few big box stores have as much parking as a Home Depot, he noted. Home Depot typically buys about 12 to 15 acres per store, he said, at an average cost of $500,000 per acre. He estimated Home Depot could sell the acreage for about that much, and raise tens of millions of dollars with the asset sales."

At 2000 stores, that's between up to 30,000 square feet of pavement ready for repurposing in full or in part.

Oddly enough (or perhaps not surprising) the ideas of how to reuse these spaces, mostly with more of the same (in a smaller variety): "Despite the general retail slowdown, chains that are still expanding — such as Chick-fil-A, Arby’s and El Pollo Loco — may jump at the chance to be near a Home Depot store, he said. “It’s a good strategy,” he said. “It’s no different from a power center anchored by a Target or Kohl’s, with small tenants like Sally Beauty Supply as a co-tenant.”


:: the cat box? - image via lowering the bar

Or as I mentioned in an email recently. That's like cleaning all the dogshit out of the backyard, then dumping the catbox in a pile in the front yard... or something like that :)

Sunday, November 1, 2009

Remembering Lawrence Halprin (or at least some of his projects)



In the blogosphere, this is old news now. It's been a week since I heard about the death of landscape architectural icon Lawrence Halprin - actually the day after while in a meeting where part of the topic was discussing the iconic nature of his park sequence in Portland as inspiration for a small plaza I am designing. We looked at the inspiration - not the copying of the forms - and I of course found my way back to his sketches of the sequence.


:: image via Halprin Landscape Conservancy

I was reminded of one of the items that originally to Portland - as we had learned about the work, particularly those in the sequence below. Eager to see some real 'landscape architecture' I hurriedly visited downtown to see these in person soon after moving to town. How disappointing in person, to see the gray, life-less, broken space of the Auditorium Forecourt Fountain (now Keller Fountain) as it was shut down pending repairs to pumping equipment. I was deflated, and walked the sequence seeing this project in it's full rainy, gray splendor with not a person in sight. It was a formative experience in disconnection with the aura of a space and the designer vs. the space in action.


:: image via Halprin Landscape Conservancy

To my wonderful surprise, I visited a year later, at the height of summer, pumps functioning, and the space was literally crawling with people. Then I realized that I was only seeing one facet of the story - not the entire design, or the changes in use over time, and seasons, and day and night. I had a similar experience the first time I visited the Keller Auditorium for a play and sat at intermission looking over the fountain lit in an eerie glow - providing the forecourt not just from outside but within the building itself, connecting architecture and landscape.


:: Keller (Forecourt) Fountain - image via artscatter

The first day of 'Intro to Landscape Architecture' class I was teaching at Portland State, we took a tour of the sequence as a primer on what the profession is all about - and I was amazed that many of the students hadn't known about the spaces (mere blocks from campus) and what the opinions of the space were - both good and bad. Even without knowing, the spaces can still teach.



:: Pettygrove Park - image via Oregon Sustainability Center


:: Lovejoy Fountain - image via World is Round

The other aspect I loved in school and still today is the lively sketches. These are not art per se, but serious and whimsical studies and exercises in seeing and understanding. These taught me that it's important to look and draw, and that the benefit to yourself is the point, not some form of artistic integrity. They also showed a realization of contextual forms and processes and generators of design inspiration. And they become beautiful because you see the inspiration expressed and abstracted within the designs.


:: image via Halprin Landscape Conservancy

A final snippet of story came on a visit to Seattle to see Freeway Park as well, which was amazing and beautiful in places, and a similar expression of abstracted concrete mountains. It was also a true expression of a dated, somewhat irrelevant and possibly dangerous space that harbored unsavory elements and activities - and perhaps was not part of the original context. This made me wonder about the longevity and relevance of spaces and the need to protect and restore icons - but also our need to let some of them go (or at least change to meet the times). It's a tricky thing for landscape architects to design timeless - when our materials are always changing.


:: image via hugeasscity

Strange how the formative aspects of life in landscape architecture get played out in time and history. I actually also had an opportunity to redo one of the Halprin-(esque perhaps) projects done with SOM on some towers in the auditorium district (the now remodeled Harrison West complex) - and the limits of concrete, ivy, and trees in making space for people - and how the 60s and 70s, much like in architecture created some great, and some laughable projects.

This affected me like the passing of Ian McHarg a few years back, which struck hard. came when I was amidst a complex, layered, mapping exercise which directly reflected the legacy of integrated planning, and for me personally that the access to many disparate layers of data - together - is a powerful notion. McHarg and Halprin were much more accessible heroes than Olmsted - because they were living in the same world that I was as a youthful LA.

More good reading on the subject is found at the Oregonian, Art Scatter, Portland Architecture, and Inspiration Wall. I've been remiss on reading the blogs lately - but imagine there is an outpouring of wonderful stories - which are deserved. I learned much from Halprin's work and went through amazement, disappointment, reality, and acknowledgment that landscape and taste changes, and that all good design draws from place, engages people in many ways, and is timeless... much like city itself. I wasn't quite as obsessed with the man and his work as some others locally - nor did I visit the spaces often, but nonetheless personally he will be misse. Thankfull, he will not be forgotten in the many works and a legacy of design inspirations (and those inspired, such as myself) that he left behind
.